Video: Designing the audio for Inside , a game that listens

Communication between a game and an audio engine is often a one-way street.

Communication between a game and an audio engine is often a one-way street. The game passes information to the audio engine whereby audio is played back.

With no information going the other way around, suggests Playdead's Martin Stig Andersen, the game resembles a dancer unable to hear and respond to the sound playing. In order to retain continuity in such temporal experiences, and transition seamlessly from one temporal quality to another, the game needs to listen and adapt to the sound playing.

At GDC 2016, Andersen -- who did much of the audio work on Playdead's latest game, Inside -- described various approaches to feedback loops between game and audio that have resulted in a refined experience for Inside players.

It was a good talk, packed with useful examples of audio-driven gameplay, situations in which sound conducts in-game actions, and seamless incorporation of death-respawn situations in the overall sound structure.

Now, you can watch the whole thing for free via the official GDC YouTube channel.

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In addition to this presentation, the GDC Vaultand its new YouTube channeloffers numerous other free videos, audio recordings, and slides from many of the recent Game Developers Conference events, and the service offers even more members-only content for GDC Vault subscribers.

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